Douglas Strachan Glasgow University chapel, RGS conserved
Douglas Strachan stained glass, Glasgow University chapel. RGS conserv
Douglas Strachan, Glasgow University chapel. RGS conserved
Keith New stained glass Glasgow University chapel. RGS conserved 2021
 Lawrence Lee  Glasgow University chapel, RGS conserved 2021
Morton Hall Crematorium, Sir Basil Spence. RGS conserved2021
Morton Hall Crematorium, Sir Basil Spence. RGS restored 2021.
Gin Bar, Union Terrace Gardens Aberdeen. RGS conserved 2021
Gin Bar, Union Terrace Gardens Aberdeen. RGS conserved 2021
Meikle and co, Clark Memorial, Largs. RGS conserved 2015
Taymouth castle - stained glass conserved 2022
Clayton and Bell, St Machars Cathedral Aberdeen. RGS conserved 2021
Meikle and co, Clark Memorial, Largs. RGS conserved 2015
painted glass, Stromness Town Hall, Orkney, RGS conserved 2022
Dunoon Burgh Hall conservation before and after
Wishaw church, RGS conservation  conservation 2019
Lead tray after conservation
Glass cuppola St Andrew square Edinburgh
Glass cuppola Saint Andrew square Edinburgh
St Marys Cleland back painting RGS conserved 2022
St Mary Cleland Before and after RGS conserved 2022

Conservation

“Balance – having the integrity and experience to know when to intervene and when to leave alone.”

Rainbow Glass Studio has successfully completed many conservation projects. The company has the ability to take on any size of project from small repairs to the full architectural glass interior of any large historic building.


It all begins with a concise and sensible conservation strategy. You can then trust that all work carried out by Rainbow Glass Studio LTD will be of the highest standard by skilled craftsperson’s using traditional methods and high-quality materials. We follow the CVMA guidelines, which promotes minimal intervention and maximum retention of original materials. A suitable protection system is always advised and can be installed if required.

Historic Stained Glass Windows

The stained-glass dating from the remodeling in 1866

Full conservation procedure

TAYMOUTH CASTLE

The stained-glass dating from the remodeling in 1866

Full conservation procedure

CHAPEL STREET CHURCH

Stained glass windows by Scottish artist Oscar Paterson and Gordon Webster.

Full conservation procedure and EPG

ROTHESAY HOLY TRINITY

Stained glass windows by Ballantine and also three windows from William Wailes

SANDYFORD HENDERSON MEMORIAL CHURCH

Full conservation procedure of tripartite stained glass windows with EPG system

CHALMERS STREET CHURCH

Morris & Co of Merton Abbey 1899 - Design by Sir Edward Burn Jones

EPG system

BOTHWELL PARISH CHURCH

Leaded lights

over 170 square metres of leaded glass

MCEWAN HALL

The oldest church in Stornoway

ST COLUMBA'S OLD PARISH CHURCH

Full releading of diamond quarries windows

MARISCHAL COLLEGE

Museum Projects

Charles Rennie Mackintosh Oak Room: A jewel of Scotland architectural heritage.

V&A DUNDEE OAK ROOM

ICON accreditation

In 2011, we appointed Mr Chris Chesney ACR to our board of directors. As an ICON accredited conservator, Mr Chesney, brings with him many years of experience in stained glass conservation, training and project management. Mr Chesney oversees all conservation projects and acts as our head advisor. Following the successful collaboration at Marischal College Aberdeen between Rainbow Glass Studio LTD and Mr Chesney's Northumberland based firm Iona Art Glass future collaborations will be undertaken making this partnership one of the largest private accredited conservation practices in the north.


Our values

  • Begin with a concise and sensible conservation strategy.
  • Carry out the work with integrity, skill and maintain full respect of the original artist, window and the building.
  • Follow CVMA guidelines.
  • Work as a team- Communication is key to the successful completion of any project, whether it be with client, architect, and corresponding trades and of course within our own company.
  • Record all work before, during and after so that a completion report can be supplied to the client and made available for future reference.
  • We do not compromise the quality or finish of our work, the end result should ALWAYS aim to instil pride.

"Finally, we continually strive to achieve the best possible results. Each window brings us more knowledge. Continual profession development is essential to improve our skillset."